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Uri Sala is a composer, electronic musician, music researcher and bass player from Barcelona. He studied jazz improvisation, classical composition, musicology, South Indian (Carnatic) music theory and sonology in Barcelona, Boston, Uppsala, Amsterdam, The Hague and Berlin. His interests are modern art history, embodied music cognition, sound synthesis and computer-assisted audiovisual generative art.

Uri Sala es un compositor, músico electrónico, investigador musical y bajista de Barcelona. Ha estudiado improvisación jazz, composición clásica, musicología, teoría musical del Sur de la India (Carnática) y sonología en Barcelona, Boston, Uppsala, Ámsterdam, La Haya y Berlín. Sus intereses son la historia del arte moderno, la corporalidad en la cognición musical, la síntesis sonora y el arte generativo audiovisual asistido por ordenador.

L'Uri Sala és un compositor, músic electrònic, investigador musical i baixista de Barcelona. Ha estudiat improvització jazz, composició clàssica, musicologia, teoria musical del Sud de l'Índia (Carnàtica) i sonologia a Barcelona, Boston, Uppsala, Àmsterdam, La Haia i Berlín. Els seus interessos són la història de l'art modern, la corporalitat en la cognició musical, la síntesi sonora i l'art generatiu audiovisual assistit per ordinador.

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Raga Modal Harmony - Example

Example 1: Vasuchakra Raga modal harmony is an attempt to extend Berklee's modal harmony concepts to South Indian music scales (ragas, or melas). The Berklee method deals exclusively with the Greek modes, assigning to each one of them a characteristic pitch (CP). This characteristic pitch is one of the forming pitches of the tritone, and it gives the characteristic sound to each mode. All possible tertian and quartal chords formed on each of the pitches of the mode are evaluated in terms of their stability and whether they contain the characteristic pitch. Some people have tried to extend this to other scales ( see here ). My approach is an attempt to exhaustively examine all possible modes included in the melakarta scheme . Now, the tricky part: what is the characteristic pitch in scales that can potentially contain up to 3 tritones? This is where I had to make a personal, and probably temporal, concession. I just called characteristic pitches all pitches other than the tonic ...
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Muktai with mridangam yati palas

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