Muktai with mridangam yati palas

2 cycles of tala 9 = 18 beats = 72 matras (in chatusra gati)

Pala = 23
Karve = 2

72 = 23 (2) 23 (2) 22 | +1

Each pala (of 23 matras) follows a mridangam yati logic:

23 = 2+3+4+5+4+3+2

So the end result is

Ta Ka
Ta Ki Ta
Ta Ka Di Mi
Ta Di Gi Na Tom
Ta Ka Di Mi
Ta Ki Ta
Ta Dim
..

Ta Ka
Ta Ki Ta
Ta Ka Di Mi
Ta Di Gi Na Tom
Ta Ka Di Mi
Ta Ki Ta
Ta Dim
..

Ta Ka
Ta Ki Ta
Ta Ka Di Mi
Ta Di Gi Na Tom
Ta Ka Di Mi
Ta Ki Ta
Ta | Dim!

Comments

Raga Modal Harmony - Example

Example 1: Vasuchakra Raga modal harmony is an attempt to extend Berklee's modal harmony concepts to South Indian music scales (ragas, or melas). The Berklee method deals exclusively with the Greek modes, assigning to each one of them a characteristic pitch (CP). This characteristic pitch is one of the forming pitches of the tritone, and it gives the characteristic sound to each mode. All possible tertian and quartal chords formed on each of the pitches of the mode are evaluated in terms of their stability and whether they contain the characteristic pitch. Some people have tried to extend this to other scales ( see here ). My approach is an attempt to exhaustively examine all possible modes included in the melakarta scheme . Now, the tricky part: what is the characteristic pitch in scales that can potentially contain up to 3 tritones? This is where I had to make a personal, and probably temporal, concession. I just called characteristic pitches all pitches other than the tonic ...

Anuloma Pratiloma Combinations - Examples

Example 1.

Sørindisk musikkteori

Rytmiske basiskonsepter Tala (metrisk sykkel): Suladi, Shadanga, Shoshadanga, Dhruva Rupaka og Chapu-systemer. Gati konsept: bruk av alle pulsfordelinger: tisra (3), chatusra (4), khanda (5), misra (7), sankirna (9), 11, 13... Jathikonsept: pulsgruppering (aksenter). Anuloma pratiloma. Konnakol: Rytmisk hørelære. Essensielt for å synge rytmer (ta ka di mi ta di gi na tom...). Polyrytmer / polypulser Gati / jathi forhold. Gati fraser. Gati bhedam: Når gati ≠ jathi. Polyrytmer. Jathi bhedam: konstante synkoperte rytmer. Nadai bhedam ( nested tuplets). Uregelmessige grupperinger og variasjonsformler Anuloma pratiloma kombinasjoner ( tuplets med varierende lengde = "svevende tempoeffekt"). Yati fraser: Motivisk utvikling med aritmetiske progresjoner. Sama, gopucha, srotovaha, mridangam, damaru, vishama-fraser. Yati prastara (kombinasjon av forskjellige, sammenflettede yatifraser). Tirmanas. Mixed jathi nadai bhedam. Systematisk gati med varierende jathi. Systematisk gati...

URI SALA

Search This Blog