Skip to main content

Advanced Carnatic Techniques

This video gives some examples of how Carnatic (South Indian) music techniques can be applied to the composition and improvisation of modern music. If you think you might be interested in a seminar, just contact me.
N.B.: The video mysteriously stops towards the end. Just click to the right of the timeline pointer and it will continue.

Video thumbnail. Click to play
Click To Play
Labels:

Comments

Unknown said…
Hi, This is Sandeep from India. I just happened to view this video. I must appreciate your knowledge in carnatic music, especially the demonstration of mukthayi and adaptation to Jazz music. I have a little background in carnatic music. I play an instrument called Veena.
March 4, 2008 at 3:50 PM
Post a Comment

Popular posts from this blog

Yati Phrases - Examples

Example 1. Video of the 1st phrase: Srotovahayati Video of the 2nd phrase: Gopuchayati
Post a Comment
Read more

Sørindisk musikkteori

Rytmiske basiskonsepter Tala (metrisk sykkel): Suladi, Shadanga, Shoshadanga, Dhruva Rupaka og Chapu-systemer. Gati konsept: bruk av alle pulsfordelinger: tisra (3), chatusra (4), khanda (5), misra (7), sankirna (9), 11, 13... Jathikonsept: pulsgruppering (aksenter). Anuloma pratiloma. Konnakol: Rytmisk hørelære. Essensielt for å synge rytmer (ta ka di mi ta di gi na tom...). Polyrytmer / polypulser Gati / jathi forhold. Gati fraser. Gati bhedam: Når gati ≠ jathi. Polyrytmer. Jathi bhedam: konstante synkoperte rytmer.   Nadai bhedam ( nested tuplets). Uregelmessige grupperinger og variasjonsformler Anuloma pratiloma kombinasjoner ( tuplets med varierende lengde = "svevende tempoeffekt"). Yati fraser: Motivisk utvikling med aritmetiske progresjoner. Sama, gopucha, srotovaha, mridangam, damaru, vishama-fraser. Yati prastara (kombinasjon av forskjellige, sammenflettede yatifraser). Tirmanas. Mixed jathi nadai bhedam. Systematisk gati med varierende jathi. Systematisk gati
Post a Comment
Read more